That Things Are As They Seem

Image

Constant Puyo. mise-en-scène

Reference

Antinin Artaud, The Theater and the Plague

Tomorrow Land: Entering The World of Theatrical Myth and legend

An Actor lead society!

Not inclined toward John Knox style secular moral sentiment but I think the expression ‘when god builds a chapel, Satan inevitable establishes some form of drinking establishment next door’ belongs to Luther.

Note

This me, I aspect, which is a side effect in part of note taking and having to use myself as a crash test dummy when it comes to drama, its really starting to fuck me (ooops.) of.

Writing side as well, the rose, terse statements from the emotional register etc. Reads like an end of the peer comedy. Triumphal tour of established territory and the known world or the delusional attempt at making the claim.

Detail, the methods are simple to term/ observational aspects.

Technical aspects like projection, which anyone can learn given time more problematic.

Its the complexity of space. Take it apart put it back together, but description here/ noting the areas where uncertainty rules but does not necessarily affect.

Or results in an effect you can use.

Thing of nightmare/ sheer poverty of descriptive terms and insight. I know its not easy (reason why instruction here is not on paper) but the difficult level describing certain things the most surprising aspect was how it got in the way of doing them.

Living very fluid things. Classification, description here, feels like the kiss of death.

Give the illusion of a very solid clearly defined object. Issue of mistaking the term for the thing that is actually in a state of constant movement due to the complexity of the enviroment and its unpredictable movements.

Issues of timing, which is ever- present/ the accuracy and precision required to hold/ let go of the moment.

Calculation here. The space. Its fucking monstrous.

I Remain Concerned Given You’re Unpatriotic Attitude in Regard To Cheese

Run with a clumsy and cheesy musical interlude, rather than a post about, space, a space, the space I am confronted with here.

I presume the lyrics are by Micheal Moorcock here. Never bothered to check, whoever wrote it has a taste for early modern occult history I think.

Rings bells here at least. Or begins to play when on the rare occasions when I read historical  source here from one  writer in particular.

History here with these things, one not fully explored.

Historia Frog ( ‘Aerial Germ Theory & “Theater of Contagion” In the Writings of Gerald of Wales’)

Repetition and Some of Its Differences

“I think, too, the remarks of Giraldus are very convincing, when, attempting to prove his remarkable aerial germ theory, or the bacterial embryology of his specimen, he points out most cogently that if it had been engendered by Irish mud “they would have been found more frequently and in greater numbers, both before and after the time mentioned”

Reference

W.F. De V. Kane, ‘Is the Frog a Native of Ireland’?, ‘The Irish Naturalist, Vol.2, No.4 (apr., 1893), pp. 95-98

References As Yet Unread

Antonin Artaud, Theater and the Plague

S.B. Garner, Jr, Artaud Germ Theory and the Theater of Contagion.

Covid Evenings On The Veranda (“Does Superman Take Drugs Like Dad Does?”)

Mobile Man(U2)

just now

Yer stressed, yer confused go take a vali (Valium)

Late 17th Century Vision: A Creature of the Aire

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Of The Aire

It remains that I speak of the Aire. This is a vitall spirit, passing through all Beings, giving life, and subsistence to all things, binding, moving, and filling all things. Hence it is that the Hebrew Doctors reckon it not amongst the Elements, but count it as a Medium or glew, joyning things together, and as the resounding spirit of the worlds instrument. It immediatly receives into it self the influencies of all Celestiall bodies, and then communicates them to the other Elements, as also to all mixt bodies: Also it receives into it self, as if it were a divine Looking-glass, the species of all things, as well naturall, as artificiall, as also of all manner of speeches, and retains them; And carrying them with it, and entering into the bodies of Men, and other Animals, through their pores, makes an Impression upon them, as well when they sleep, as when they be awake, and affords matter for divers strange Dreams and Divinations. Hence they say it is, that a man passing by a place where a man was slain, or the Carkase newly hid, is moved with fear and dread; because the Aire in that place being full of the dreadfull species of Man-slaughter, doth, being breathed in, move and trouble the spirit of the man with the like speci|es, whence it is that he comes to be afraid. For every thing that makes a sudden impression, astonisheth nature. Whence it is, that many Philosophers were of opinion that Aire is the cause of dreams, and of many other impressions of the mind, through the prolonging of Images, or similitudes, or species (which are fallen from things, and speeches, multiplyed in the very Aire) untill they come to the senses, and then to the phantasy, and soul of him that receives them, which being freed from cares, and no way hindred, expecting to meet such kind of species, is informed by them. For the species of things, although of their own proper nature, they are carryed to the senses of men, and other animals in generall, may notwithstanding get some impression from the Heaven, whilest they be in the Aire, by reason of which, together with the aptness and disposition of him that receives them, they may be carryed to the sence of one, rather then of another. And hence it is possible naturally, and far from all manner of superstition, no other spirit coming between, that a man should be able in a very time to signifie his mind unto another man, abiding at a very long and unknown distance from him; although he can|not precisely give an estimate of the time when it is, yet of ne|cessity it must be within 24. hours; and I my self know how to do it, and have often done it. The same also in time past did the Abbot Tritenius both know and do. Also when cer|tain appearances, not only spirituall, but also naturall do flow forth from things, that is to say, by a certain kind of flowings forth of bodies from bodies, and do gather strength in the Air, they offer, and shew themselves to us as well through light as motion, as well to the sight as to other senses, and sometimes work wonderfull things upon us, as Plotinus proves and teacheth. And we see how by the South wind the Air is condensed into thin clouds, in which, as in a Looking-glass are reflected representations at a great distance of Castles, Mountains, Horses, and Men, and other things, which when the clouds are gone, presently vanish. And Aristotle in his Meteors shews, that a Rainbow is conceived in a cloud of the Aire, as in a Looking-glass. And Albertus saith, that the effigies of bodies may by the strength of nature, in a moist Aire be easily repre|sented, in the same manner as the representations of things are in things. And Aristotle tels of a man, to whom it happened by reason of the weakness of his sight, that the Aire that was near to him, became as it were a Looking-glass to him, and the optick beam did reflect back upon himself, and could not penetrate the Aire, so that whithersoever he went, he thought he saw his own image, with his face towards him, go before him. In like manner, by the artificialness of some certain Looking-glasses, may be produced at a distance in the Aire, beside the Looking-glasses, what images we please; which when ignorant men see, they think they see the appearances of spirits, or souls; when indeed they are nothing else but semblances kin to themselves, and without life.

Reference

Three Books of Occult Philosophy Written by Henry Cornelius Agrippa of Nettesheim, Counseller to Charles the Fifth, Emperor of Germany and Judge of the Prerogative Court

Translated out of the Latin into the English Tongue, By J.F

London, Printed by R.W. for Gregory Moule, and are to be sold at the Sign of the three bibles neer the West-End of Pauls. 1651